The Princess of the School — Key Ideas to Explore

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Brazil, Angela, 1869-1947, Wiles, Frank, 1881-1963 [Illustrator] Project Gutenberg 2007 Not confirmed
Schools -- Fiction Readers of public-domain and historical texts
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Words 67,070
Reading time 292 min
Text sections 7

For The Princess of the School — Key Ideas to Explore, the stored edition analysis reports 67,070 words, 4 hr 52 min estimated reading time, and 7 detected text sections.

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Project Gutenberg metadata also associates the work with “Schools -- Fiction,” connecting these edition facts with the source record’s subject description.

Angela Brazil's school story uses brisk dialogue and pointed description to contrast loyalty and betrayal among girls at Chilcombe Hall, with a secret society, a Sicilian subplot, and a moral code enforced by the characters themselves.
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Grandfather said they needed exercise. I don't suppose he'd have thought of it, only Dulcie wrote to Cousin Clare and begged her to ask him. Won't it be just splendiferous? We haven't had a ride the whole term, and I'm pining to see Rajah!"

"Grandfather had promised to let us ride to school in September," put in Dulcie, "but Everard and a friend of his commandeered the horses and went to Rasebury, so we couldn't have them, and we were so disappointed. I do hope nothing will happen to stop them this time! Everard was to arrive home yesterday, so he'll be before us. I shan't ever be friends with him again if he plays us such a mean trick!"

"It's 'coach--carriage--wheelbarrow--truck,' it seems to me, the way we're all trotting home!" laughed Edith. "If I could have my choice, I'd sprint on a scooter!"

"Next term we'll travel by private aeroplane, specially chartered!" scoffed Noreen.

"I don't mind how I go, so long as I get off somehow!" chirped Truie. "Thank goodness, here come the urns at last! I began to think breakfast would never be ready. We want to have time to eat something before we start."

Miss Walters' excellent arrangements had left ample time for the healthy young appetites to be satisfied before the taxis arrived at the door to convey the first contingent of pupils to the station. Sixteen girls, under the escort of a mistress, took their departure in the highest of spirits, packed as tightly as sardines, but managing to wave good-bys. Their boxes had been dispatched the previous day, their hand-bags had gone on by cart before breakfast and would be waiting for them at the station, where Jones, that most useful factotum, would, by special arrangement with the station-master, be taking their tickets before the ordinary opening of the booking-office.

Though the departure of sixteen girls made somewhat of a clearance at Chilcombe Hall, Miss Walters' labors were not yet over. There was a train at eight and a train at ten, and the young people who had to wait for these found it difficult to know how to employ the interval until it was their turn to enter the taxis. By nine o'clock Lilias and Dulcie, ready in their riding habits, were looking eagerly out of the dining-hall window along the drive which led to the gate.

"I know Elton would be early," said Dulcie. "It's always Astley who stops and fusses. It was the same when Everard went cub-hunting. You don't think there's a hitch, do you?" (uneasily). "Shall we get a horrid yellow envelope and a message to say 'Come by train'? It would be _too_ bad, and yet, it's as likely as not!"

Dulcie's fears, which in the course of twenty minutes' waiting and watching had almost conjured up the telegraph boy with his scarlet bicycle and brown leather wallet, were suddenly dispelled, however, by a brisk sound of trotting, and a moment later appeared the welcome sight of her grandfather's two grooms riding up to the house, each leading a spare horse by the rein. Those schoolfellows who had not yet departed to the station came to the door to witness the interesting start. A sleek, well-groomed horse is always a beautiful object, and the girls decided unanimously that Lilias and Dulcie were lucky to be carried home in so delightful a fashion. They watched them admiringly as they mounted. Edith stroked Rajah's smooth neck as she said good-by to her friends.

"Riding beats motoring in my opinion," she vouchsafed, "though of course you can go farther in a car. Perhaps I shall pass you on the road."

"No, you won't, for we're taking a short cut across country. We always choose by-lanes if we can. Write and tell me if you get a motor-scooter. They sound fearfully thrillsome. Good-by, see you again in January!"

"Good-by! and a merry Christmas to everybody!" added Dulcie, turning on her saddle to wave a parting salute to those who were left behind on the doorstep.

The two girls walked their horses down the drive, but once out on the level road they trotted on briskly, with the grooms riding behind. They formed quite a little cavalcade as they turned from the hard motor track down the grassy lane where a dilapidated sign-post pointed to Ringfield and Cheverley. It was a distance of seven good country miles from Chilcombe Hall to Cheverley Chase, and, as the events of this story center largely round Lilias and Dulcie, there will be ample time to describe them while they are wending their way through the damp of the misty December morning, up from the low-lying river level to the hill country that stretched beyond.

Lilias was just sixteen, and very pretty, with gray eyes, fair hair, a straight nose, and two bewitching dimples when she smiled. These dimples were rather misleading, for they gave strangers the impression that Lilias was humorous, which was entirely a mistake: it was Dulcie who was the humorist in reality, Dulcie whose long lashes dropped over her shy eyes, and who never could say a word for herself in public, though in the society of intimate friends she could be amusing enough. Dulcie, at fourteen, seemed years younger than Lilias; she did not wish to grow up too soon, and thankfully tipped all responsibilities on to her elder sister. Cousin Clare always said there were undiscovered depths in Dulcie's character, but they were slow in development, and at present she was a childish little person with a pink baby face, an affection for fairy tales, and even a sneaking weakness for her discarded dolls. Life, that to Lilias seemed a serious business, was a joyous venture to Dulcie; she had a happy knack of shaking off the unpleasant things, and throwing the utmost possible power of enjoyment into the nice ones. If innocent happiness is the birthright of childhood, she clung to it steadfastly, and had not yet exchanged it for the red pottage of worldly wisdom.

Ever since Father and Mother, in the great disaster of the wreck of the _Titanic_, had gone down together into the gray waters of the Atlantic, the Ingleton children had lived with their grandfather, Mr. Leslie Ingleton, at Cheverley Chase. There were six of them, Everard, Lilias, Dulcie, Roland, Bevis, and Clifford, and as time passed on, and the memory of that tragedy in mid-ocean grew faint, the Chase seemed as entirely their home as if they had been born there. In Everard's opinion, at any rate, it belonged to them, as it had always belonged to the prospective heirs of the Ingleton family. And that family could trace back through many centuries to days of civil wars and service for king and country, to crusades and deeds of chivalry, and even to far-away ancestors who gave counsel at Saxon Witenagemots. Norman keep had succeeded wooden manor, and that in its turn had given place to a Tudor dwelling, and both had finally merged into a long Georgian mansion, with straight rows of windows and a classic porch, not so picturesque as the older buildings, but very convenient and comfortable from a modern point of view. The lovely gardens, with their clipped yew hedges, were one of the sights of the neighborhood, and it was a family satisfaction that the view from the terrace over park, wood, and stream showed not a single acre of land that was not their own.

Mr. Leslie Ingleton, a fine type of the old-fashioned, kindly, but autocratic English squire, belonged to a bygone generation, and found it difficult to move with the march of the times. Because he had spent his seventy-four years of life on the soil of Cheverley, the people tolerated in "the ould squire" many things that they would not have passed over in a younger man or a stranger. They shrugged their shoulders and gave way to his well-meant tyranny, for man and boy, everybody on the estate had experienced his kindness and realized his good intentions towards his tenants.

"If he does fly off at a tangent, ten to one Miss Clare'll be down the next day and set all straight again," was the general verdict on his frequent outbursts.

Cheverley Chase would have been quite incomplete without Cousin Clare. She was a second cousin of the Ingletons, who had come to tend Grandmother in her last illness, and after her death had remained to take charge of the household and the newly-arrived family of grandchildren. She was one of those calm, quiet, big-souled women who in the early centuries would have been a saint, and in mediaeval times the abbess of a nunnery, but happening to be born in the nineteenth century, her mental outlook had a modern bias, and both her philanthropy and her religious instincts had developed along the latest lines of thought. She had schemes of her own for work in the world, but at present she was doing the task that was nearest in helping to bring up the motherless children who had been placed temporarily in her care. To manage this rather turbulent crew, soothe the irascible old Squire, and keep the general household in unity was a task that required unusual powers of tact, and a capacity for administration and organization that was worthy of a wider sphere. She might be described as the axle of the family wheel, for she was the unobtrusive center around which everything unconsciously revolved.

But by this time Lilias and Dulcie will have ridden up hill and down dale, and will be turning Rajah and Peri in at the great wrought-iron gates of Cheverley Chase, and trotting through the park, and up the laurel-bordered carriage drive to the house. There was quite a big welcome for them when they arrived. Everard had returned the day before from Harrow, Roland was back from his preparatory school, and the two little ones, Bevis and Clifford, had just said good-by for three weeks to their nursery governess, and in consequence were in the wildest of holiday spirits. There was a general family pilgrimage round the premises to look at all the most cherished treasures, the horses, the pigeons, the pet rabbits, the new puppies, the garden, and the woods beyond the park; there were talks with the grooms and the keepers, and plans for cutting evergreens and decorating both the house and the village church in orthodox Christmas fashion.

"It's lovely to be at home again," sighed Lilias with satisfaction, as the three elder ones sauntered back through the winding paths of the terraced vegetable garden.

"And such a home, too!" exulted Dulcie.

"Rather!" agreed Everard. "That was exactly what was in my mind. The first thing I thought when I looked out of the window this morning was: 'What a ripping place it is, and some day it will be all mine.'"

"Why, of course. Who's else should it be? The Chase has always gone strictly in the male line, and I'm the oldest grandson, so naturally I'm the heir. It goes without saying!"

Dulcie's pink face was looking puzzled.

"Do you mean to say if Grandfather were to die, that everything would be yours?" she asked. "Would you be the Squire?"

"I believe I'm called 'the young squire' already," replied Everard airily.

"But what about the rest of us?" objected Dulcie.

"Oh, I'd look after you, of course! The heir always does something for the younger ones. You needn't be afraid on that score!"

Everard's tone was magnanimous and patronizing in the extreme. He was gazing at the house with an air of evident proprietorship. Dulcie, who had never considered the question before, revolved it carefully in her youthful brain for a moment or two; then she ventured a comment.

"Wouldn't it be fairer to divide it?"

"Nonsense, Dulcie!" put in Lilias. "You don't understand. Properties like this are never divided. They always go, just as they are, to the eldest son. You couldn't chop them up into pieces, or there'd be no estate left."

"Couldn't one have the house and the other the wood, and another the park?"

"Much good the house would do anybody without the estate to keep it up!" grunted Everard. "Dulcie, you're an utter baby. I don't believe you ever see farther than the end of your silly little nose. You may be glad you've got a brother to take care of you."

"But haven't I as much right here as you?" persisted Dulcie obstinately.

"No, you haven't; the heir always has the best right to everything. Cheer up! When the place is mine, I mean to have a ripping time here! I'll make things hum, I can tell you--ask my friends down, and you girls shall help to entertain. I've planned it all out. I suppose I shall have to go to Cambridge first, but I'll enjoy myself there too--you bet! On the whole I think I was born under a lucky star! Hallo! there goes Astley; I want to speak to him."

Everard whistled to the groom, and ran down the garden, leaving his sisters to return to the house. At seventeen he was a fair, handsome, dashing sort of boy, of a type more common thirty years ago than at present. He held closely to the old-fashioned ideas of privileges of birth, and, according to modern notions, had contracted some false ideals of life. He had lounged through school without attempting to work, and was depending for all his future upon what should be left him by the industry of others. All the same, in spite of his attitude of "top dog" in the family, he was attractive, and inclined to be generous. Like most boys of seventeen, he had reached the "swollen head" stage, and imagined himself of vastly greater importance than he really was. The sobriquet of "the young squire" pleased his fancy, and he meant to live up to what he considered were the traditions of so distinguished a title.

Christmas passed over at Cheverley Chase in good old-fashioned orthodox mode. The young Ingletons, with plenty of evergreens to work upon, performed prodigies in the way of decorations at church and home. They distributed presents at a Christmas-tree for the children of tenants, and turned up in a body to occupy the front seats at the annual New Year's concert in the village. When the usual festivities were finished, however, time hung a little heavy on their hands, and one particular morning found them lounging about the breakfast-room in the especially aggravating situation of not quite knowing what to do with themselves.

"It's too bad we can't have the horses to-day!" groused Dulcie. "I'd set my heart on a ride, and I can't get on with my fancy work till I can go to Balderton for some more silks."

"And I want some wool," proclaimed Lilias, stopping from a rather unnecessary onslaught of poking at the fire. "There's never anything fit to buy at this wretched little shop in the village!"

"Except bacon and kippers!" grinned Roland.

"I can't knit with kippers!"

"Fact is, we're all bored stiff!" drawled Everard from the sofa, flinging away the book he was reading, and stretching his arms in the luxury of a long-drawn yawn. "What should you say to a turn in the car? Wouldn't it be rather sport, don't you think?"

"If Grandfather would spare Milner to take us!" said Lilias doubtfully.

"We don't want Milner. _I'll_ drive you! I can manage a car as well as he can, any day. Don't get excited, you kids! _No_, Bevis, I shall certainly _not_ allow you to try to drive! There's only going to be one man at that job, and that's myself!"

"Shall we go and ask Grandfather?" suggested Dulcie.

"Right you are! No, not the whole of us," (as there was a general family move). "Three's enough!"

So a deputation, consisting of Everard, Lilias, and Dulcie, promptly presented themselves at the study door and tapped for admission. As there was no reply to a second rap, they opened the door and walked into the room. Grandfather was rather deaf, and sometimes, when he had ignored a summons, he would say: "Well, why didn't you come in?" He was generally to be found writing letters at this hour in the morning, but to-day the revolving chair was empty. He had apparently begun his usual correspondence, for his desk was littered with papers. Leaning up against the ink-pot there was a photograph. The young people, who had walked across the room towards the window, could not fail to notice it, for it was tilted in such a prominent place that it at once attracted their attention. It represented a very pretty dark-eyed young lady, holding a baby on her lap, with a slight background of Greek columns. The decidedly foreign look about it was justified by the photographer's name in the corner: "Carlo Salviati, Palermo." Over the top was written in ink, in a man's handwriting: "My wife and Leslie, from Tristram."

"Who is it?" asked Everard, gazing at the portrait with curiosity. "She's rather decent looking. Never seen her here, though, that I can remember!"

"It's a ducky little baby! But who is Tristram?" said Dulcie.

"We had an Uncle Tristram once," answered Lilias doubtfully.

"Why, but he died years and years ago, when we were all kids!" returned Everard.

"I know. He was the only Tristram in the family, though. I can't imagine who these two can be. Leslie, too! Why, that's Grandfather's name! Was the baby christened after him?"

"We'll ask Cousin Clare sometime," said Dulcie, so interested that she could scarcely tear herself away. "I really want to know most fearfully who they are."

"Oh, don't bother about photos at present! Let's find Grandfather!" urged Everard. "Perhaps he's gone down to the stables, or he may be in the gun-room."

On further inquiry, however, they ascertained that a telegram had arrived for Mr. Ingleton, on the receipt of which he had consulted Miss Clare, had ordered the smaller car, and they had both been driven away by Milner, the chauffeur, and were not expected back until seven or eight o'clock in the evening. This was news indeed. For a whole day the heads of the establishment would be absent, and the younger generation had the place to themselves. For the next eight hours they could do practically as they pleased.

Everard stood for a moment thinking. He did not reveal quite all that passed through his mind, but the first instalment was sufficient for the family.

"We'll get out the touring car, take some lunch with us, and have a joy-ride."

Five delighted faces smiled their appreciation.

"Oh, Everard! Dare we?" Dulcie's objection was consciously faint.

"Why not? When Grandfather's away, I consider I've a right to take his place and use the car if I want. I'm master here in his absence! I'll make it all right with him; don't you girls alarm yourselves! Tear off and put on your coats, and tell Atkins to pack us a basket of lunch, and to put some coffee in the thermos flasks."

With Everard willing to assume the full responsibility the girls could not resist such a tempting offer, while the younger boys were, of course, only too ready to follow where their elders led. Elton, the groom, made some slight demur when Everard went down to the motor-house and began to get out the big touring-car, but the boy behaved with such assurance that he concluded he must be acting with his grandfather's permission. Moreover, Elton was in charge of the horses, and not the cars, and Milner, the chauffeur, who might reasonably have raised objections, was away driving his master.

The cook, who perhaps considered it was no business of hers to offer remonstrances, and that the house would be quieter without the young folks, hastily packed a picnic hamper and filled the thermos flasks. A rejoicing crew carried them outside and stowed them in the car.

It seemed a delightful adventure to go off in this way entirely on their own. There was some slight wrangling over seats, but Everard settled it in his lofty fashion.

"You'll sit where I tell you. I'll have Lilias in front, and the rest of you may pack in behind. If you don't like it, you can stop at home. No, I'm not going to have you kids interfering here, so you needn't think it."

The opening of The Princess of the School immediately establishes a world of regulated bustle: pupils rise by lamplight before dawn, chatter is briefly permitted, and the gardener stacks luggage on a cart. Angela Brazil’s prose moves swiftly between collective excitement and individual character sketches, often using direct speech to reveal personality. The narrative voice is brisk, favoring action and dialogue over interior reflection, and the school setting is rendered through concrete details—the Blue Bedroom, the dining-hall fire, the clanging bell—rather than abstract atmosphere.

This editorial note examines how Brazil’s choices in diction, dialogue, and description shape the moral and social dynamics of the story, focusing on the excerpts provided.

The Authority of Direct Speech

Brazil relies heavily on dialogue to advance plot and define character. In the excerpts, Gowan’s outburst against Laurette is a set piece of righteous anger: she interrupts, uses colloquial insults (“blighter,” “sneakiest trick”), and builds a rhythmic tirade that mimics spoken fury. The exchange is structured as a confrontation, with interruptions and overlapping voices (“Here, stop!”). Brazil does not narrate Gowan’s feelings; she lets the character’s words carry the emotion. This technique gives the schoolgirls an autonomy rare in adult-narrated fiction of the period—they speak for themselves, and their speech carries moral weight.

By contrast, Laurette’s dialogue is sly and dismissive: “Do you call her pretty? Well, now, I don’t!” The contrast in diction—Gowan’s bluntness versus Laurette’s affected drawl—creates an immediate moral polarity without authorial commentary.

Description as Moral Marker

Brazil’s descriptive passages are economical and often serve to underscore character. When Gowan turns “two blazing blue eyes on Laurette,” the physical detail is not merely visual; it signals intensity and integrity. Similarly, the opening scene’s emphasis on early rising and lamp-light establishes the school as a place of order and shared routine, against which later betrayals stand out.

The narrator rarely describes a character’s inner state. Instead, external actions and gestures carry the burden: “Laurette’s three chums had turned away as if rather ashamed.” This reliance on visible behavior aligns with the school story’s emphasis on conduct as a public, observable matter. The Mafia’s subsequent kindnesses to Miss Herbert—flowers, postcards, a crocheted pincushion—are described in a list that mimics the girls’ practical, almost transactional, way of making amends.

The Secret Society as Ethical Engine

The “Mafia” (as the girls call their secret society) is introduced through its actions rather than its rules. In the excerpts, the group’s purpose is revealed only indirectly: they defend a mistress whose confidence has been betrayed, and they do so through small, concrete gifts. Brazil avoids explaining the society’s origins or membership criteria; instead, she shows it operating as a moral corrective. This technique keeps the focus on the ethical dilemma—loyalty versus gossip—rather than on institutional mechanics.

The society’s name, borrowed from organized crime, is ironic: the girls’ “Mafia” enforces a code of honor, not violence. Brazil’s choice of this loaded term, without comment, invites readers to measure the gap between the name and the girls’ actual behavior. The excerpts do not reveal whether the society has other functions, but its presence signals that the schoolgirls have created their own justice system outside adult authority.

Voice and Social Hierarchy

Brazil differentiates her characters through distinct speech patterns. Laurette uses French phrases (“passée”) and a worldly tone that sets her apart from the more straightforward Gowan and Carmel. This linguistic marking creates a social hierarchy within the school: Laurette’s sophistication is both a marker of status and a tool for manipulation. When Gowan mocks her with “mutton dressed like lamb,” she appropriates the same kind of cutting social language, turning it back on its user.

The excerpts also show how the group polices its own boundaries. Truie, Hester, and Muriel “pretended not to notice” when Laurette looked for support—a small but telling detail that reveals peer pressure and the fragility of alliances. Brazil’s dialogue captures the rapid shifts in loyalty that define schoolgirl society, where a single confrontation can redraw the social map.

Readers attentive to Brazil’s craft will notice how much she accomplishes through what is left unsaid. The narrator rarely judges; instead, the characters’ own words and actions create a moral landscape that feels earned rather than imposed. The excerpts suggest a story in which loyalty, betrayal, and reparation are worked out in the small, concrete gestures of school life—a postcard from Sicily, a crocheted pincushion, a blunt accusation. These details, not grand events, carry the ethical weight of the narrative.

I remember hiding under my blanket with a torch, reading about the girls of Chilcombe Hall, feeling the sting of their whispered betrayals as if they were my own. It brought back my grandmother’s quiet lessons on loyalty. That same ache surfaced when I later wandered through the dark woods of The Wolf-Leader — Text and Context, where a pact with the devil mirrors a hasty promise I once made, never spoken aloud.

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4.5 out of 5 (6 User reviews )

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    Jenna Jackson - 1 month ago
    Delightful and heartwarming! 'The Princess Of The School' is a charming school story that captures the essence of friendship and self-discovery. The characters are relatable, and the plot is full of fun and meaningful moments. Ideal for young readers, it's a book that inspires and entertains.

  • ...
    Jason Nicholson - 3 weeks ago
    A pleasant school story that will appeal to those who enjoy the genre. The character of the princess is well-drawn, and the school setting is vividly depicted. However, the plot is fairly predictable, and some subplots are resolved too quickly. Still, it's a cozy and enjoyable read.

  • ...
    Ashley Soto - 1 week ago
    While 'The Princess Of The School' has a charming concept, the execution feels dated and clichéd. The characters are stereotypes, and the conflict is weak. The writing is simplistic, and the story doesn't offer anything new to the genre. I was disappointed overall.


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