In the Wars of the Roses: A Story for the Young — Context and Discussion

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Everett-Green, Evelyn, 1856-1932 Project Gutenberg 2005 Not confirmed
Great Britain -- History -- Wars of the Roses, 1455-1485 -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 62,888
Reading time 274 min
Text sections 5

The catalog record for In the Wars of the Roses: A Story for the Young — Context and Discussion provides practical reading context through 62,888 words, 4 hr 34 min estimated reading time, and 5 detected text sections.

The text analysis averages about 25.6 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Great Britain -- History -- Wars of the Roses, 1455-1485 -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

Evelyn Everett-Green's 1901 historical novel for young readers follows a boy caught in the Wars of the Roses. The narrative shifts between a child's perspective and adult political intrigue, using dialogue and pacing to convey danger. Excerpts reveal a voice that balances youthful excitement with foreboding, as seen in the prologue's contrast between a mother's calm and a son's impatience.
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Paul was willing enough to do the behest of the prince, and stayed only to make him comfortable before starting off on the quest for water. He thought young Edward would soon be asleep, as indeed he was, so luxurious was his leafy couch within the giant oak; and resolved to run as far as a certain well he knew of in the wood, the water of which was peculiarly fresh and cold and clear, and where a cup was always kept by the brothers of a neighbouring monastery for the benefit of weary travellers.

Paul sped away on his mission with a light heart He was elated above measure by his day's adventure, and his head was brimming over with plans and dreams of the future, which was to be so glorious and so distinguished.

He the chosen comrade of their future king! he the loyal upholder of that king's rights, the bulwark of the throne, the trusted noble, the shrewd counsellor, the valiant warrior! A boy's ambition is boundless--innocent of envy or evil, but wild in its flights.

Paul went on his way with glowing cheeks and sparkling eyes, till a stealthy sound in the bushes beside him made him stop short, listening intently. He heard voices in cautious whisper.

"He cannot be far away. He certainly came to the wood. Long Peter says he had another boy with him; but be that as it may, he is here, and close at hand. We must lose no time. The alarm will be given if he is missed. Take one, or take both, it matters not if we but get the prince into our hands. He may be known by his ostrich plume and his golden curls, and the jewelled collar he wears about his neck."

Paul heard these words plainly, and it seemed as if his heart were in his mouth. It beat so violently that he fancied the conspirators must surely hear. The words he had heard but yesterday flashed back into his mind.

It was true then. There was a conspiracy to carry off the young prince, and the band of men pledged to the deed were actually on their track and close at hand. How could he warn the prince in time? How could he save him from their hands?

For a moment the boy's courage seemed to desert him. A cold sweat broke out on his face, his knees trembled beneath him. But his fear was not a selfish or unworthy one; it was all for the royal child, whose peril was so imminent.

And then, with a sudden revulsion of feeling, he recollected that he himself wore the cap with the white plume, the jewelled collar of royalty, and the dagger the little prince habitually carried in his girdle. And had he not the same floating golden curls, the same cast of features, the same active figure, and almost the same stature? Might he not save the real prince by playing his part to some purpose for the time being? The men would not distinguish between the pair--he felt certain of that; they would at once make off with their prize. Later on, of course, they would discover the trick, but then the prince would be safe. His own followers would have long since discovered him. Yes, he would do it--he would save the prince at all cost. What did it matter if his own life were the forfeit? The heir of England would be saved.

It was no small act of heroism to which the boy made up his mind in those few moments. Those were lawless days, and human life was held very cheap. The band of fierce men who had believed they were carrying off a prince, would think nothing of running him through with their swords when they discovered how they had been tricked, and that by a mere child. Paul set his teeth hard and braced himself up for the task he had set himself. He knew his peril-he realized it too; but he was a soldier's son, and had he not said he would live and die for the prince? Would he ever be worthy of the knighthood every lad looked forward to as the goal of his ambition, if he shrank now from the task he had set himself?

Hardly had that resolution been taken before there sprang out from the thick underwood two or three fierce-looking men, armed to the teeth.

"Ha, my young springal! well met, in sooth," cried the foremost of the band, laying a firm hand upon the boy's shoulder. "We have been looking long for you.

"To horse, brave fellows! we have our prize. We may not linger here."

"Hands off, varlet!" cried Paul, throwing himself into the character of prince with great energy and goodwill. "Know you to whom you speak--whom ye thus rough handle? Have a care; the Prince of Wales is not thus to be treated."

"Pardon, sweet prince," cried the leader, with ironical courtesy, his grasp not relaxing one whit from the boy's arm. "Time leaves us scant opportunity for the smooth speech of the court. We must use all despatch in conveying your worshipful presence hence, to the safe custody of England's friends.

"Nay, struggle not, boy. We would not harm you. You are safe with us--"

"I know you not. I will not be thus insulted. I will to my royal parents," cried Paul in well-feigned indignation.

But remonstrance and resistance were alike useless. At the sound of a peculiar whistle from one of the party, there immediately appeared some half score of mounted troopers, leading other horses with them. The boy was swung upon the saddle of one of the horses and fastened there by means of thongs, which, although not incommoding him whilst riding, utterly precluded all idea of escape. Moreover the steed was placed between those of two of the stalwart troopers, each of whom kept a hand upon the reins of the supposed prince; and thus, silently but rapidly, the little band threaded the intricacies of the wood, by paths evidently known to them, and ere the dusk had fully come, had cleared the forest altogether, and were galloping steadily and fast across the open country toward the north.

Paul had not spoken another word. He had been in terror lest by some inadvertent phrase he might betray himself, and let those fierce men know that he was not the prince; in which case not only might his own life be forfeit, but the real prince might fall into their hands. But now as the dusk overtook them, and still they were flying farther and farther away from the city where the prince lay, his heart rose, and beat with a generous triumph; for though his own fate might be a speedy death, the heir of England was safe.

It was dark before the lights of a wayside hostelry became visible across the dreary waste they were traversing. The leader of the band turned and addressed a few words to the troopers who had the care of the captive; and at once he felt himself deprived of the tell-tale cap and collar, the former of which was replaced by a cloth cap belonging to one of the men, which almost concealed the boy's features. He was also wrapped in a mantle that further disguised him; and thus they rode up to the inn.

A ruddy stream of light poured out from that comfortable hostelry, and Paul saw, seated on his stout nag, with three of his servants behind him, the well-known figure of a neighbouring farmer, whom business often took to a town many miles from his native place.

The troopers were dismounting and hurrying into the inn. Two only remained with their prize. Paul's resolution was quickly taken. He threw off the encumbering mantle and cap, and cried aloud:

"Gaffer Hood, Gaffer Hood, come and help me! These men have carried me off, and are taking me I know not whither. Come and help me to get free, and my father will richly reward you. They think I am the Prince of Wales, who was playing with me but this afternoon. Tell them who I really am, and they will let me go."

"By the mass, if that be not the voice of little Paul Stukely!" exclaimed the honest farmer in great amazement, as he brought his stout nag alongside the animal that carried the child. The troopers drew their swords as if to interpose (and in those days it was considered better to leave these reckless gentlemen alone when they had booty in their hands, however come by, and no doubt they were in league with the host of the inn); but the character of the dialogue between the farmer and the child was so astounding that the men remained mute and motionless, whilst the leader of the gang, who had heard something of the words, came hurrying to the spot, to see that his prize was safe.

He was quite prepared to make short work of farmer and men alike if there should be any futile attempt at rescue. The man knew his trade, and long habit had made him utterly reckless of human life. But the words he heard exchanged between the child and the farmer held him spellbound, too.

"I was playing with the prince," cried Paul, loud enough for all to hear. "He bid me take his collar and cap and be prince in fantasy, whilst he was my esquire. Afterwards, when he was weary, he lay down to rest, and these fellows caught me and carried me off, thinking I was prince indeed. I would not tell them what they had done, lest they should return and capture him. But bid them loose me now, good Gaffer, and give them all the money in your pouch as my ransom, and I warrant my father will repay you double.

"It is the heir of the House of Lancaster you want, gentlemen, not a poor knight's youngest son, a lad of no account. This good man will pay you some broad gold pieces if you will let me go; but if you are resolved to take my life as the price of my deceit, why, take it now. I am not afraid to die in a good cause, and this worthy man will perchance take home my body to my mother, that it may lie in time beside hers."

"Nay, lad, we will all die ere they shall touch a hair of thy bonny head," cried the honest farmer, signing to his men to come and be ready. "If there's a man in this troop dastard enough to lay a hand upon thee, he shall settle accounts with Gaffer Hood ere he leaves the place. A farmer can fight, ay, and give good strong blows, too.

"Now, gentlemen, which of you will lay hands on that gallant child? for he will have to do it across my dead body first."

"Tush, man, put up thy sword," cried the leader of the band, who, being a man prompt both in action and thought, had taken in the bearings of the situation with great rapidity, and upon whom the simple heroism of the child had not been thrown away.

Rough and self-seeking and cruel as lawless times had made such men, they were not devoid of all better feelings; and although, had there been no interposition on his behalf, Paul might have been a victim to their irritation at being thus duped, as it was his life was now safe enough.

"We war not with babes and children. The boy has borne himself gallantly, and we will take the gold pieces and let him go free. Our chance may come another time, and we want not the cumbrance of children on our march. He would not be hostage worth having, so ransom him and begone. We have the prince's jewels if we have not the lad himself.

"Go your way, boy; you will make a soldier in time. You have the right grit in you. Farewell! one day we may meet again."

And thinking, perhaps, that he and his band had better not linger longer, the captain gave the word to mount; and as soon as Paul's thongs were cut and the ransom paid over, the troopers set spurs to their horses' sides and vanished away in the darkness.

Once again little Paul Stukely stood in the presence of royalty. The prince's arm was about his neck, the proud queen's eyes--moist now with tears--were bent upon him in loving gratitude, whilst from the king's lips he was receiving words of praise that set the hot blood mounting to his brow. Behind him stood his father, all around were the attendants of the royal family; and Paul, unaccustomed to be thus the centre of attention, almost wished the ground would open to hide him, although his heart could not but beat high in gratification and loving loyalty.

All the city was ringing with the daring attempt that had been made to carry off the young Prince of Wales, and the gallantry of the boy who had dared to brave the consequences, and take upon himself the personality of the youthful Edward. The child himself, the farmer who had been the means of his restoration, and the knight who owned so brave a son, all had been heroes of the past six-and-thirty hours.

A special mass of thanksgiving had been sung in the cathedral on the Sunday. The captain of the town, who had heard a rumour which had sent him flying into the forest the previous afternoon, to find the true prince vainly seeking his missing comrade, could not make enough of the boy whose simple-hearted gallantry had saved him from a lasting remorse, and perhaps a lasting disgrace. Indeed, Sir James Stukely had had to hurry his child home in haste to his mother's care, lest he should hear too much of his own prowess; and, thrusting him into her loving arms, had said, in a voice which quivered in spite of himself:

"Here, dame, take the boy and give him a kiss to show that he has been a good lad. He has done his duty, as a Stukely ought to do, and that should be enough for all of us. But let us have no nonsense talked. What will the country come to if everyone who does his duty as it should be done expects to be called a hero, and I know not what besides? The prince is safe, and the boy likewise. Now off to bed with him, and no more nonsense to be talked in my hearing.

"God bless you, child! You'll live yet to be a credit to the name you bear."

And Paul was made happier by that one word from his stern though loving sire than by all the praises he had heard lavished upon himself during the past hours. For there was no one in the wide world that the child so reverenced as his dark-browed father, who seldom praised his children, and was inflexible in his punishments whenever they were deserved. To be told by him that he had done his duty, and would be a credit to his house, was happiness far beyond his deserts, he thought; and he registered a mental vow, deep down in his brave little heart, that he would never in time to come give the world cause to say he had not lived up to the promise of his boyhood.

The loving sympathy with which his mother listened to his story, the caresses she showered upon him in thought of the deadly peril in which he had stood, and the hearty approbation of his brothers and the retainers and servants in his father's halls, were a small pleasure as compared with those few brief, almost stern, words from that father himself. Even the notification that he was to present himself on the Monday before the king and queen added little to his happiness, although the idea of seeing once again his admired little prince could not but fill him with gratification.

His father led him to the royal presence, and bowed low on hearing himself thanked for having brought up sons who so well demonstrated the loyalty and devotion which had been born and bred in them. But Paul scarce heard what passed, for the little prince dashed forward to take him round the neck, kissing him with all the natural grace of childhood, whilst half rebuking him for having denied him his own legitimate share in the adventure.

"If we had but been together we would have achieved our own liberty," he said, his bright eyes flashing with the spirit of his ancestors. "We would have shown them what Plantagenet blood could do. I would I had been there. I would I had shared the adventure with you. It would have been a thing for our bards to write of, for our soldiers to sing over their campfires. But now I shall have none of the glory. I was sleeping in a tree. It was you who were the hero, the prince."

"Ah, sweet prince, had they once laid hold on the true prize, methinks neither you nor I would so easily have escaped," said Paul, who had vivid recollections of the iron hands that had been laid upon him by the stern men who had carried him off. "I know not how I could have escaped, had it not been that they were willing to be quit of me when they found out I was not him whom they sought."

But the prince was hardly satisfied with the rather tame ending to the adventure.

"To be rescued by a farmer, and carried home on his nag!" he said, tossing back his curls with a gesture of hauteur. "Paul, I would that you had cut your way through the very heart of them. I would you had left at least one or two dead upon the spot. Had we been together--" He clenched his hands for a moment, but then laughed a little, and said in a whisper--"But no matter, Paul; they all say that you played the hero, and I will not envy you for it. We shall be men one day, and then I shall come and claim your promise. You will be my faithful esquire, and I will be your liege lord. Together we will roam the world in search of adventure, and well I know that we shall meet with such as will not disgrace the royal house of the Plantagenet."

The child's eyes flashed, and an answering spark was kindled in the breast of the hardy little Paul. He put his hand within that of the prince, and cried loud enough to be heard by those who stood by:

"Dear my lord, I will serve you to the death. I will go with you to the world's end."

Sir James laid a warning hand upon his son's shoulder.

"Boy," he said in a low voice, "it becomes thee not thus to put thyself forward in the presence of royalty. Be silent before thy betters, and show thy loyalty by thy deeds, not by high-sounding words of which thou canst have but little understanding."

Paul was instantly abashed. Indeed, in those days it was not usual for children to make their voices heard in the presence of their elders; but the prince was privileged, and it was his words that had drawn forth this exclamation from Paul.

The king and the queen, however, smiled upon the boy; and the latter said in tender tones, that would have amazed some amongst her enemies:

"Nay, chide not the boy, good Sir James; he does but speak as his heart dictates, and I would indeed that my son might look forward to the day when he and your gallant son might be companions in arms. But I ask no pledge in these troublous, stormy days. Only I will cherish the hope that when brighter days dawn for the House of Lancaster, and her proud foes are forever subjugated to their right position, this bold boy may appear again before us to receive at our hands the guerdon he is too young for yet. And be sure that never will knighthood be more gladly accorded to any than to him, for the deed which saved England's heir and hope from the deadly peril which menaced him but a few short hours ago."

Sir James and his son both bowed low, and the father prepared to lead away the boy. But the prince had once more thrown his arms round Paul's neck, and was speaking in his eager way:

Evelyn Everett-Green opens In the Wars of the Roses: A Story for the Young with a mother and son watching a royal procession, immediately establishing a dual perspective: the boy's eager questions and the mother's measured replies. The prose shifts between the child's excitement—'O mother, why am I not as old and as strong as they?'—and a narrator's ominous summary of civil strife, where 'the sword had already been drawn at St. Albans.' This alternation between intimate dialogue and historical commentary sets the tone for a novel that moves between personal adventure and broader conflict.

Dialogue as a Driver of Pace

The excerpts show Everett-Green using rapid-fire exchanges to accelerate tension. In the prologue, the boy's short, breathless lines—'O mother, will the little prince be there?'—create a sense of urgency, while the mother's longer replies slow the rhythm, mirroring her attempt to temper his excitement. Later, in the chapter excerpt, Paul and Edward's conversation accelerates as Paul reveals his fears: 'Edward, it was just such a clasp as that which fastened the jewelled collar of the little Prince of Wales.' The dialogue becomes clipped, with Paul interrupting himself ('Wait, Edward, answer me one question yet'), mimicking the quickening heartbeat of discovery. This technique keeps the reader alert to shifting dangers.

Narrative Voice: Between Youth and Experience

The novel's voice oscillates between a child's wonder and an adult's foreboding. The prologue's narrator steps back to comment on 'the lust of power and of supremacy' that 'had begun to pave the way for the civil war,' a perspective beyond the boy's understanding. Yet the boy's own voice—'It is very hard to be the youngest'—grounds the story in personal frustration. In the later scene, Edward's careless confidence ('Methinks you are over fearful, good Paul') contrasts with Paul's anxious warnings, creating a dynamic where youth and experience clash. The narrator rarely judges, letting dialogue reveal character: Edward's pride in his mother's jewels, Paul's practical fear. This layered voice keeps the historical setting immediate without overwhelming young readers.

Recurring Details and Their Narrative Weight

Small objects carry significant narrative weight. The pearl clasp—'a fine pearl set in a clasp of chased gold with an eagle in relief'—links Edward to his royal mother and becomes a clue that endangers him. Paul's recognition of it as matching the clasp on the little prince's collar ties past and present, showing how a single item can bridge years of story. Similarly, the robbers from the prologue reappear as a threat in Epping Forest, creating continuity. Everett-Green uses these details not just as plot devices but as anchors for the reader: the clasp, the forest, the peddler—each recurs to build a sense of a world where objects and people are connected by unseen threads of loyalty and enmity.

Shifts in Setting and Mood

The excerpts move from the open, festive atmosphere of Lichfield—'our loyal folks of Lichfield are burning to show their love'—to the dark, confined spaces of London alleys and forest hideouts. The prologue's sunny procession gives way to Paul's whispered warnings in a narrow room: 'It was dark enough in the narrow alley, darker than it is up here.' This spatial contraction mirrors the tightening plot. The forest, described as 'fastnesses,' becomes a place of hidden danger, contrasting with the earlier public sports. Everett-Green uses these shifts to modulate pace: the leisurely description of tilting and wrestling yields to tense, whispered conversations, keeping the reader off-balance and engaged.

Readers will find that Everett-Green's novel rewards attention to its dialogue and descriptive details. The pacing varies between leisurely scenes of daily life and sudden bursts of action, often signaled by changes in sentence length or the intrusion of historical commentary. Pay particular notice to how objects—a clasp, a collar, a suit of clothes—carry meaning across chapters, and how the narrative voice shifts between a child's limited view and an adult's broader knowledge. These elements together create a story that is both a personal adventure and a window into a turbulent period.

The rain blurred the windows that afternoon, and Everett-Green’s tale of a boy’s perilous loyalties left me oddly restless. I set it down, reached blindly for something gentler, and found Miss Billy — Married — Reading Notes instead. Its quiet domestic tangles felt like a warm hearth after that cold, turn-of-the-century strife. A strange pairing, but the rain made it natural.

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