A Girl in Ten Thousand — Edition Insights

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Meade, L. T., 1854-1914 Project Gutenberg 2006 Not confirmed
Young women -- Juvenile fiction Readers of public-domain and historical texts
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Words 57,910
Reading time 252 min
Text sections 7

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L. T. Meade's novel follows Effie Staunton, a young woman torn between family duty and her desire for independence. Through dialogue and description, the author reveals the tensions of Victorian domestic life and the emerging 'New Woman' ideals.
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Dorothy Fraser was sound asleep when Effie rushed into her little room.

"Get up!" said Effie, shaking her friend by the shoulder.

As a nurse Miss Fraser was accustomed to unexpected disturbances. She opened her eyes now and gazed at Effie for a bewildered moment, then she sat up in bed and pushed back her heavy hair.

"Why, Effie," she exclaimed, "what do you want? I fancied I was back at St. Joseph's and that one of the nurses had got into trouble and had come to me, but I find I am at home for the holidays. Surely it is not time to get up yet?"

"It is only five o'clock," said Effie. "It is not the usual time to get up; but, Dorothy, father wants you. There is a bad case of illness at The Grange--very bad indeed, and father is nearly distracted, and he wants to know if you will help him just for a bit."

"Why, of course," cried Dorothy. "I shall be delighted."

"I knew you would; I knew you were just that splendid sort of a girl."

Miss Fraser knit her brows in some perplexity "Don't, Effie," she said. "I wish you would not go into such ecstasies over me; I am only just a nurse. A nurse is, and ought to be, at the beck and call of everyone who is in trouble. Now run away, dear; I won't be any time in getting dressed. I will join you and your father in a minute."

"Father will see you in the street," said Effie. "The fact is----"

"Oh, do run away," exclaimed Dorothy. "I cannot dress while you stand here talking. Whatever it is, I will be with your father in two or three minutes."

Effie ran downstairs again. Mrs. Fraser, who had let her in, had gone back to bed. Effie shut the Frasers' hall door as quietly as she could. She then went across the sunlit and empty street to where her father stood on the steps at his own door. The groom who had driven the doctor over was standing by the horse's head at a little distance.

"Well," said Dr. Staunton, "she has fought shy of it, has she?"

"No; she is dressing," said Effie. "She will be down in a minute or two."

"Good girl!" said Dr. Staunton. "You didn't happen to mention the nature of the case?"

"No, no," answered Effie; "but the nature of the case won't make any difference to her."

The doctor pursed up his mouth as if he meant to whistle; he restrained himself, however, and stood looking down the street. After a time he turned and glanced at his daughter.

"Now, Effie," he said, "you must do all you can for your mother. Don't let her get anxious. There is nothing to be frightened about as far as I am concerned. If mortal man can pull the child through, I will do it, but I must have no home cares as well. You will take up that burden--eh, little woman?"

"I will try, father," said Effie.

Just then Dorothy appeared. She had dressed herself in her nurse's costume--gray dress, gray cloak, gray bonnet. The dress suited her earnest and reposeful face. She crossed the road with a firm step, carrying a little bag in her hand.

"Well, Dr. Staunton," she said, "I hear you have got a case for me."

The doctor gazed at her for a moment without speaking.

"Bless me," he exclaimed; "it is a comfort to see a steady-looking person like you in the place. And so you are really willing to help me in this emergency?"

"Why, of course," said Dorothy. "I am a nurse."

"But you don't know the nature of the case yet!"

"I don't see that that makes any difference; but will you tell me?"

"And it is your holiday," pursued the doctor, gazing at her. "You don't take many holidays in the year I presume?"

"I have had a week, and I am quite rested," said Dorothy. "I always hold my life in readiness," she continued, looking up at him with a flash out of her dark blue eyes. "Anywhere at any time, when I am called, I am ready. But what is the matter? What do you want me to do?"

"I want you to help me to pull a child back from the borders of death."

"A child! I love children," said Dorothy. "What ails the child?"

"She has acute scarlet fever and diphtheria. No precautions have been taken with regard to sanitation. She is the child of rich people, but they have been wantonly neglectful, almost cruel in their negligence and ignorance. The mother, a young woman, is nearly certain to take the complaint and, to complicate everything, there is another baby expected before long. Now you understand. If you get into that house you are scarcely likely to go out of it again for some time."

Dorothy stood grave and silent.

"Oh, Dorothy, is it right for you to go?" exclaimed Effie, who was watching her friend anxiously.

"Yes," said Dorothy, "it is right. They may possibly be obliged to fill my place at St. Joseph's. I was only considering that point for a moment. After all, it is not worth troubling about. I am at your service, Dr. Staunton. We may require one or two other nurses to help us if things are as bad as you fear."

"God bless you!" said the doctor. Something very like moisture came into his eyes. He began to blow his nose violently. "Now, Effie, you will do your best at home," he said, turning to his daughter. "This way, please, Miss Fraser."

"Good-by, Effie, dear," said Dorothy. She kissed her friend. The doctor and the nurse walked toward the dog-cart; he helped her to mount, and then drove rapidly down the street. The vehicle was soon out of sight.

"I wonder what father will think of Dorothy after this?" thought Effie to herself. The feeling that her father would really approve of her friend gave her much consolation. She went back into the house, and as it was now half-past five, decided that it was not worth while to return to bed. There was always plenty to be done in this little house with its overflowing inhabitants, and Effie found heaps to occupy her until it was time to go into the nursery to help the little nursemaid with her various duties.

The children always hailed Effie with a scream of delight; they were not a bit afraid of her, for she was the most indulgent elder sister in the world, but all the same she managed to make them obey her.

Susan was sent downstairs to get her breakfast, while Effie saw the elder ones safely through the process of dressing. She took the baby on her knee, and, removing his night-clothes, put him into his bath, and dressed him herself quickly and expeditiously. She then carried him into her mother's room.

Mrs. Staunton had spent a troubled night.

"Is that you, Effie?" she exclaimed, looking at her daughter; "and oh, there is baby--how sweet he looks! What a splendid nurse you are, my darling, and what a wonderful comfort to me! Give me my dear little man. I will take care of him while you see about breakfast."

"How are you this morning, mother?" asked Effie. "Have you had a good night?"

"Yes, pretty well. I had one or two bad dreams. I could not help thinking of poor Mrs. Watson and that heart-trouble your father spoke about. I wonder how she is this morning."

"Now, mother dear," said Effie, "you know father said you were not to dwell upon that--you must turn your thoughts away from illness of every sort. I thought we might go for a little drive in the gig this morning."

"But your father will want the gig."

"No, that's just it, he won't."

"What do you mean? Surely he will go out as early as he can to see Mrs. Watson?"

"No, mother," said Effie, "he won't--not to-day. I have something to tell you. Now, please don't be frightened; there is nothing to be frightened about."

Mrs. Staunton was half sitting up in bed; she had thrown a little pale blue shawl round her shoulders, and held the pretty baby in her arms. She was a remarkably good-looking woman, a really young-looking woman for her age, but weakness was written all over her--the weakness of a frail although loving spirit, and the weakness of extreme bodily illness, for she was ill, far more ill than her children knew. The greatest anxiety of the honest doctor's life was connected with his wife's physical condition. Effie looked at her mother now, and something of the fear which dwelt in her father's heart seemed to visit her.

"I have something to tell you," she said, "but it is nothing that need make you the least bit afraid. Father has left you in my charge. He says I am to look after you, and to do all in my power to help you."

"But what can you mean, Effie? Has your father gone away?"

"Not really away," replied Effie, "for he is close to us, and can come back if necessary at any moment; but the fact is this: If all is well, father is not coming home for two or three days. In one way you will be pleased to hear this, mother. You know how you have wished him to be called in at The Grange."

"At The Grange!" exclaimed Mrs. Staunton, starting up. "You don't mean to tell me that the Harveys have sent for your father?"

"Yes, mother, I do; and is not that good news? The little girl is very ill, and Squire Harvey came over to fetch father last night--that time when the bell rang so suddenly."

"I remember," said Mrs. Staunton. "I made sure that someone came from the Watsons'."

"No; it was the Squire who called--Squire Harvey. Father went there and found the little girl very ill. He came back again this morning, and took Dorothy Fraser out with him as nurse, and he saw me, and he asked me to tell you that he would stay at The Grange for a couple of days until he could pull the child through, and you are on no account to expect him home, but you are to keep as well and cheerful as possible for his sake; and Dr. Edwards from Boltonville is to take father's work for the time. So you see," continued Effie in conclusion, "that the horse and gig will be at liberty, and we can go for a drive. I thought we might go to Boltonville, and take baby, and buy some fruit for preserving. There are sure to be heaps of strawberries at the Bolton Farm if we drive over early."

All the time Effie was speaking, Mrs. Staunton kept gazing at her. As the eager words flowed from the young girl's lips, the heart of the mother seemed to faint within her.

"You," she said, after a pause; her voice trembled, no words could come for an instant,--"you," she went on,--"Effie, you have not told me what ails the child?"

"She is very ill, mother; that goes without saying."

"But what ails her? Why should not your father come home?"

Effie thought for a moment. "I will tell about the scarlet fever, but not about the diphtheria," she said to herself. "Mother is always so terrified about diphtheria ever since poor little Johnny died of it, long, long ago. She won't mind scarlet fever so much."

"Why don't you speak, Effie?" exclaimed her mother. "You terrify me with your grave and silent way."

"There is nothing to be terrified about, mother, but you are weak, and therefore you get unduly nervous. I was only thinking for a moment whether you had better know; but of course, if you wish it, you must be told. The child at The Grange is suffering from scarlet fever."

"Do you think it will spread?"

"Father is very anxious. I heard him telling Dorothy that Mrs. Harvey had been very imprudent. You know how young she is, mother, and how beautiful; and she has been with this dear little child day and night from the beginning, not knowing in the least what ailed her, and Mrs. Harvey is expecting another baby, and of course father is anxious."

"I should think he is," cried Mrs. Staunton, drawn completely out of herself by the tragedy conveyed in these words. "Oh, poor young thing, poor young mother! I wish I were strong and well myself, that I might go and help her. She will have a bad time. She will have an awful risk when her baby arrives, Effie. Well, my darling, we can do nothing but pray for them all. There is One who can guide us even through dark days. Go down, Effie, and get breakfast, and then come back to me. I am very tired this morning, and will lie still for a little, now that I have got such a dear, useful daughter to take my place for me."

Effie put on a bright smile, and turned toward the door.

As she was leaving the room, her mother called out after her:

"There is one good thing, there is no diphtheria in the case; nothing terrifies me like that."

Effie shut the door hastily without reply.

Meanwhile Dr. Staunton and Dorothy drove quickly to The Grange. It was still very early in the morning, and when they arrived at the great hall door it was opened by Squire Harvey himself.

"That's right, Dr. Staunton!" he exclaimed. "I am so glad you have come. Oh, and I see you have brought a nurse. What a blessing! Now, perhaps, you will induce my wife to take some rest. How lucky that you were able to find a nurse in a little place like Whittington!"

"I am very fortunate indeed," replied the doctor in his hearty voice. "Nurse Fraser has been trained at St. Joseph's, and happens to be staying at Whittington for a brief holiday. She has most kindly consented to undertake the case until we can get fresh assistance from London."

"I will stay as long as I am wanted," said Dorothy in her quiet voice. "If I can be shown to a room for a moment to take off my bonnet and cloak, I will go immediately afterward to the little patient."

Dorothy's voice was perfectly cool and calm. She did not speak in the constrained whisper which the poor Squire thought it right to use. There was an everyday tone in her voice which at this moment was absolutely refreshing, and the sympathy in her blue eyes just gave the right quality to the cool tones.

The doctor looked at her with unconcealed admiration. "That girl is one in ten thousand," he said to himself. "She will keep us all on our mettle, I can see, but there is plenty of heart underneath that cool exterior."

The great luxurious house looked neglected and wretched. Although the father and mother were up, and one or two servants were assisting in the sickroom, the greater number of the servants were still in bed. There was no one to take Miss Fraser to a room, and the Squire looked round him in hopeless bewilderment.

Dorothy saw at a glance that she must take matters into her own hands.

"I do not want to trouble you," she said. "I can put my cloak and bonnet in here. I should like to put on my cap and apron before I go upstairs."

She opened a door as she spoke, and went into a room where all the blinds were down, took off her outdoor things, and, taking a cap out of her bag, slipped it over her hair, tied on a white apron, and then stood ready and capable, and fresh and bright, before the Squire and the doctor.

"Now, come straight upstairs with me," said the doctor.

They went up together; Squire Harvey followed them at a distance. When the doctor reached the first landing, he opened a green baize door, shut it behind him, and walked down a long, cool corridor which led in the direction of the nurseries.

"Now, look here," he said, turning and facing Dorothy, "the great thing that we have both to do is to keep this terrible disease from spreading. One or two of the servants have been with the case from the first; the father and mother have been in and out of the room as freely and unconstrainedly as if the child had only a cold the matter with her; if they are likely to take the infection, the mischief is probably done already; but, on the chance of this not being so, I shall beg of the Squire to come into this part of the house as seldom as possible. And as to Mrs. Harvey, she must be got away; that is your task, nurse. You will allow me to call you nurse, won't you?"

"Certainly. Call me Nurse Dorothy; I like that name best. I am called that by the children at St. Joseph's."

"Very well. I am sure you will be a blessing here; but a great deal of tact must be used. The position of affairs is extremely difficult."

"I will do my best," replied the nurse. The doctor gave her another look of complete satisfaction, and they entered the room where the little patient lay between life and death.

A small cot had been drawn almost into the center of the room, the blinds were down, there was a sense of desolation, and a heavy smell in the air.

"Who has shut these windows?" said the doctor in a voice of disapproval.

He went straight across the room, drew up one of the blinds, and opened the window two or three inches. A fresh current of air immediately improved the close atmosphere.

When he spoke, and when he and Nurse Fraser came into the room, a fair-haired young woman, who was on her knees by the side of the cot, started up suddenly, and gazed at them out of a pair of wide blue eyes. Her cheeks were deeply flushed, her lips were parched and dry.

"Oh, doctor," she said, staggering toward Dr. Staunton, "you have come back. What a blessing! She is asleep now; perhaps she is better."

The doctor went over and looked at the child. She was a little creature of not more than five years of age. In health she may have been pretty, she probably was; but now, the shadowy little face, the emaciated hands, the hot, dry, cracked lips, were the reverse of beautiful. They were all that was pathetic, however; and Dorothy's heart went straight out to the baby who lay there in such suffering and weakness.

The doctor looked at her, and gave a significant glance toward Mrs. Harvey.

Dorothy took her cue at once.

"I have come to nurse your dear little girl, madam," she said. "Dr. Staunton has brought me. I have a great deal of experience, as I am superintendent of one of the children's wards at St. Joseph's Hospital. I think you may trust your little girl to me; but first of all, let me take you to your room and put you to bed."

"Put me to bed!" said Mrs. Harvey, with a laugh which jarred on everyone's nerves. "I have not been in bed for nights. I could not sleep. When the doctor tells me that Freda is out of danger, then I may be able to sleep, but not before--not before."

"Whether you sleep or not," continued Dorothy, "you must come and lie down. You are completely worn out, and can do no good whatever to the child in your present condition. While she sleeps it is surely right that you should sleep too. Come, I will promise to call you if you are wanted."

"Yes, dear madam, let me entreat of you to go to bed," said the doctor.

The door was opened at this moment, and the Squire came in.

"Now Elfreda," he said, coming up to his wife, "you will go and take some rest, won't you?"

She looked from him to the nurse, and from the nurse to the doctor, and then her tired, bright eyes fell upon the little parched face lying on the pillow.

"I know she is going to die!" she said, with a kind of broken sob. "I cannot leave her. How can anyone dare to ask me to leave my little child just now?" Her agitation became more terrible each moment. She was evidently on the verge of hysterics.

From the first lines of A Girl in Ten Thousand, L. T. Meade establishes a conflict between domestic obligation and personal ambition through direct, emotionally charged dialogue. Effie Staunton's mother pleads, "You are the comfort of my life, Effie. If you make up your mind to go away, what is to become of me?" The scene is set in a shabby parlor with faded chintz and horsehair sofa, details that underscore the family's strained finances. Effie's response—"I must go out into the world. I must live my life like other girls"—introduces a central tension: the pull between filial duty and the desire for self-fulfillment. Meade uses the mother's physical frailty and Effie's protective gestures to complicate this opposition, hinting at the emotional costs of independence.

Dialogue as a Window to Character

Meade relies heavily on dialogue to reveal character and advance conflict. In the opening chapter, Effie's words are firm—"I have made up my mind"—but her actions soften them: she kneels by her mother and throws an arm protectively around her. This contrast between speech and gesture suggests a character caught between resolve and affection. Mrs. Staunton's language shifts from pleading to manipulative: "You are like all other modern girls... you are not satisfied in the home nest." The mother's inconsistency—first resisting Effie's departure, then claiming she never wished to stand in her way—exposes her emotional volatility. Meade also uses dialogue to introduce Dorothy Fraser, an offstage influence whose ideas about "the full life, the keen interest, the battle, the thrill of living" galvanize Effie. Through reported speech, Dorothy becomes a catalyst for change without ever appearing.

The Shabby Setting as Moral Barometer

The physical environment in the excerpt is meticulously described and carries symbolic weight. The "shabby little parlor" with its "faded paper" and "faded chintz" mirrors the family's reduced circumstances. Mrs. Staunton lies on a horsehair sofa, a detail that evokes discomfort and genteel poverty. Meade uses these details not merely as backdrop but as a measure of character: Effie's desire to leave is partly a desire to escape this material decay. The mother's fixation on small economies—buying lawn for shirts, providing beer at supper—reveals her preoccupation with maintaining appearances despite limited means. When Mrs. Staunton declares she will "resume full control of the family purse" after Effie leaves, the setting becomes a stage for a power struggle over domestic authority.

The Economics of Family Duty

Money is a constant undercurrent in the dialogue. The family lives on £150 a year, with son George contributing a third. Mrs. Staunton wants to spend more on George's comforts—"beer at supper every night" and better shirts—while Effie argues for frugality. This disagreement is not merely about finances but about values: Mrs. Staunton sees George as the family's future provider and wants to invest in his status; Effie prioritizes the needs of the younger children and her mother. Meade uses these domestic negotiations to explore the economic constraints on women's choices. Effie's plan to train her sister Agnes before leaving suggests a practical mind, but her mother's resistance hints at the difficulty of transferring domestic power. The phrase "the little economies which I have been trying to practice" shows Effie's managerial role, one she must relinquish.

Voice and the 'New Woman' Ideal

Effie's language reflects the emerging discourse of the 'New Woman' in late-Victorian fiction. She speaks of "taking her life into her own hands" and wanting to "live my life like other girls." Yet Meade tempers this with Victorian sentiment: Effie repeatedly declares her love for her mother and seeks her blessing. The mother's accusation—"You are like all other modern girls"—frames Effie's ambition as a generational shift. Dorothy Fraser, though absent, embodies the ideal of self-improvement through work: "nothing has made Dorothy into so fine a woman as taking her life into her own hands." Meade's diction—"the full life, the keen interest, the battle, the thrill of living"—is deliberately romantic, suggesting that Effie's aspirations are partly shaped by Dorothy's rhetoric. The authorial choice to present these ideas through dialogue rather than narration leaves their validity open to question.

Narrative Structure and Reader Engagement

The excerpt's structure—opening with a dramatic plea, then moving to a domestic argument over money—creates a rhythm of emotional intensity and mundane detail. Meade uses short chapters (the table of contents lists 23 chapters in 178 pages) and frequent scene breaks to maintain pace. The narrative voice is close to Effie's perspective but occasionally pulls back to describe her appearance: "a dark-eyed girl, and looked as if she might be any age between seventeen and twenty." This external view reminds the reader that Effie is both subject and object of the story. The mother's "provokingly inconsistent way" is noted without judgment, leaving readers to interpret her motives. Meade's technique of embedding social commentary within family drama makes the novel accessible while engaging with contemporary debates about women's roles.

Readers attentive to Meade's craft will notice how she uses small domestic details—a horsehair sofa, a lamp on the table, the cost of lawn fabric—to anchor larger themes of duty, ambition, and economic dependence. The dialogue carries the weight of characterization, with each character's speech patterns revealing their values and vulnerabilities. As the novel progresses, watch for how these opening tensions between mother and daughter evolve, and whether Effie's vision of "the full life" survives contact with reality.

Reading A Girl in Ten Thousand, I kept thinking about Effie’s quiet grit, how she held her ground without fanfare. It reminded me of another kind of steadfastness, the sort found in By Sheer Pluck: A Tale of the Ashanti War — Inside the Classic, where resolve is tested in a louder, harsher world. Both feel like old photographs of courage, dimming gently at the edges.

Benjamin Baker
1 week ago

David Sanchez
1 month ago

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